NASDAQ:RSVR Reservoir Media Q1 2026 Earnings Report $9.52 -0.13 (-1.35%) Closing price 10/2/2026 04:00 PM EasternExtended Trading$9.52 0.00 (0.00%) As of 10/2/2026 07:30 PM Eastern Extended trading is trading that happens on electronic markets outside of regular trading hours. This is a fair market value extended hours price provided by Massive. Learn more. ProfileEarnings HistoryForecast Reservoir Media EPS ResultsActual EPS-$0.01Consensus EPS -$0.01Beat/MissMet ExpectationsOne Year Ago EPSN/AReservoir Media Revenue ResultsActual Revenue$37.16 billionExpected Revenue$36.88 millionBeat/MissBeat by +$37.13 billionYoY Revenue GrowthN/AReservoir Media Announcement DetailsQuarterQ1 2026Date8/5/2025TimeBefore Market OpensConference Call DateTuesday, August 5, 2025Conference Call Time10:00AM ETUpcoming EarningsReservoir Media's Q2 2027 earnings is estimated for Tuesday, November 3, 2026, based on past reporting schedulesConference Call ResourcesConference Call AudioConference Call TranscriptPress Release (8-K)Quarterly Report (10-Q)Earnings HistoryCompany ProfilePowered by Reservoir Media Q1 2026 Earnings Call TranscriptProvided by QuartrAugust 5, 2025ShareShareShare This ReportLink copied to clipboard.Key Takeaways Positive Sentiment: Reservoir delivered 8% top-line growth in Q1 (5% organic), aligning with full-year targets and showcasing healthy demand across publishing and recorded music. Positive Sentiment: The company made a strategic investment in London-based immersive entertainment firm Lightroom, entering a $133 billion market expected to grow to $473 billion by 2030. Positive Sentiment: Reservoir expanded its recorded music arm by acquiring master rights to Fools Gold Records and securing exclusive distribution for all existing and future releases from the indie label. Positive Sentiment: Q1 operating performance was strong: $37.2 million in revenue (+8%), OIBDA up 12% to $12.8 million, adjusted EBITDA up 10% to $13.9 million, and management reaffirmed full-year guidance. Neutral Sentiment: The balance sheet remains solid with $173 million of available liquidity, a net debt position of $372.5 million, and an increased revolving credit facility from $450 million to $550 million for future acquisitions. AI Generated. May Contain Errors.Conference Call Audio Live Call not available Earnings Conference CallReservoir Media Q1 202600:00 / 00:00Speed:1x1.25x1.5x2xThere are 5 speakers on the call. Speaker 300:00:00Greetings and welcome to the Reservoir Media Q1 Fiscal Year 2026 earnings conference call. At this time, all participants are in a listen-only mode. A question and answer session will follow the formal presentation. If anyone should require operator assistance during the conference, please press *0 on your telephone keypad. Please note this conference is being recorded. I would now like to turn the conference over to your host, Jackie Marcus. Please go ahead. Speaker 100:00:28Thank you, Operator. Good morning, everyone, and thank you for participating in today's earnings conference call. Reservoir Media issued a press release with results for its first quarter of fiscal year 2026 ended June 30, 2025, earlier this morning. If you did not receive a copy of our earnings press release, you may access it from the Investor Relations section of our website at investors.reservoir-media.com. With me on today's call are Golnar Khosrowshahi, Founder and Chief Executive Officer, and Jim Heindlmeyer, Chief Financial Officer. As a reminder, this call is being simultaneously webcast and will be recorded and archived on the Investor Relations section of our website. Speaker 100:01:11Before I turn the call over to Golnar and Jim, I'd like to note that today's discussion will contain forward-looking statements that reflect the current views of Reservoir Media about our business, financial performance, and future events, and as such, involve certain risks and uncertainties. Our expectations, beliefs, and projections are expressed in good faith, and we believe there is a reasonable basis for them. However, there can be no assurance that our expectations, beliefs, and projections will result or be achieved. Please refer to our earnings press release and our filings with the Securities and Exchange Commission for more information on the specific risks, uncertainties, and other factors that could cause our actual results to differ materially from our expectations, beliefs, and projections described in today's discussion. Speaker 100:02:03Any forward-looking statements that we make on this call or in our earnings press release are as of today, and we undertake no obligation to update these statements as a result of new information or future events, except to the extent required by applicable law. In addition to financial results presented in accordance with generally accepted accounting principles, we plan to present during this call certain financial measures that do not conform to U.S. GAAP if we believe they are useful to investors or if we believe they will help investors to better understand our performance or business trends. Reconciliations of these non-GAAP financial measures to the nearest comparable GAAP measures are included in our earnings press release. I would now like to turn the call over to Golnar. Speaker 300:02:50Thank you, Jackie. Good morning, everyone, and thank you for joining us today. Our financial results in the first fiscal quarter put us in line with our full-year projections, with top-line growth of 8%, 5% coming organically. We continue to see healthy demand for our portfolio across music publishing and recorded music. Fiscal 2026 is shaping up to be an important year for Reservoir Media. We are actively advancing a robust pipeline of acquisition opportunities and continuing to diversify our portfolio in ways that enhance long-term value. This positions us well to execute on our strategic growth objectives. Just last month, we announced an investment in London-based entertainment company Lightroom, which develops and exhibits IP-led immersive entertainment experiences. Since its flagship London venue opened in February of 2023, Lightroom has stood out as a premier provider of immersive entertainment, combining exceptional storytelling with a scalable, IP-driven product model. Speaker 300:04:06Lightroom's programming to date has featured an impressive slate of A-list collaborators, including Tom Hanks, Coldplay, David Hockney, Anna Wintour, and Hans Zimmer. The global immersive entertainment industry as a whole was valued at $133 billion in 2024 and is expected to reach $473 billion by 2030. This partnership diversifies Reservoir Media's investment portfolio into the high-growth immersive entertainment vertical and unlocks additional value from our IP's use as the foundation for future shows. Immersive experiences built around music are particularly attractive to the growing superfan market of highly engaged music fans, which has risen to 20% of paid streaming subscribers in the U.S. as of the end of 2024, according to Luminate. We are pleased to be supporting Lightroom's efforts and look forward to helping bring future shows to life. Speaker 300:05:15On the recorded music side of the business, we furthered our commitment to expanding this segment with the addition of independent label Fool’s Gold Records. Reservoir Media acquired the master rights to the catalogs of five of the label's artists and will also exclusively market and distribute all other existing and future recordings on Fool’s Gold, including sub-label A-Trak and Friends. Fool’s Gold earned its reputation as a tastemaker indie label across dance, electronic, and hip-hop, with hits by Kid Cudi, Danny Brown, and A-Trak. The deal includes A-Trak's era-defining remix of the Yeah Yeah Yeahs' "Heads Will Roll" and his duo Duck Sauce's viral Grammy-nominated single "Barbra Streisand." This acquisition follows a recent addition of UK-based label New State, as well as a new partnership with Nashville-based label Off-Road Records. Together, these moves reflect our focused strategy to build and strengthen Reservoir's recorded music platform with commercially relevant assets. Speaker 300:06:23These labels are also all notably independent, and through these deals, we continue to champion the value and influence of indie music on a global scale. We are solidly scaling this segment of our business, and we believe it represents a meaningful opportunity for long-term value creation. Sustained client retention also continues to be a key driver of our long-term growth and operational stability. A few weeks ago, we announced the extension of our publishing deal with Grammy Award-winning songwriter-producer Chris Riddick-Tynes, who has been a part of the Reservoir family since 2020. Speaker 300:06:59Chris co-wrote and co-produced SZA's single "Snooze," which took home the 2024 Grammy for Best R&B Song and contributed to the success of her six-time platinum-selling and number one album "SOS." Earlier this spring, the album broke the record for most total weeks at number one on Billboard's Top R&B/Hip-Hop Albums chart, beating out the long-standing record holder Michael Jackson's "Thriller." More recently, Chris co-wrote Kehlani's hit single "Folded," which debuted at number seven on Billboard's Hot R&B Songs and marks the biggest debut of her career to date. We also recently extended our agreement with music icon Joni Mitchell. Reservoir entered into an administration agreement with Joni in 2021, and it has been an incredible few years, witnessing new generations of fans discovering Joni's magic through her triumphant return to the stage. We have been honored to support her during this time. Speaker 300:08:04Being in business with creators whose music is culturally impactful continues to be a hugely rewarding aspect of our business, and we look forward to our ongoing partnerships with them. I will now turn the call over to Jim to discuss our first fiscal quarter financial results in greater detail. Jim? Operator00:08:24Thank you, Golnar, and good morning, everyone. Our first fiscal quarter results met our internal expectations and demonstrate both the strength of our existing portfolio and our success with our acquisitions of new assets. Revenue for the first fiscal quarter was $37.2 million, a 5% year-over-year improvement on an organic basis, and an 8% increase when including acquisitions. This was led by the 8% growth in our recorded music segment and the 4% increase we had in music publishing. Turning to our operating expenses, the total cost of revenue decreased 1% compared to the prior year quarter, while our administration expenses and amortization and depreciation costs grew 16% and 15% respectively versus the prior year. Looking at operating performance for the first quarter, EBITDA was $12.8 million, an increase of 12% year-over-year, and adjusted EBITDA was up 10% to $13.9 million compared to our Q1 in fiscal 2025. Operator00:09:28The increases in EBITDA and adjusted EBITDA were due to higher revenues and stronger gross margins, partially offset by an increase in administration expenses impacted by inflationary pressures and higher expenses associated with increased management revenue. Interest expense was $6.3 million for the quarter versus $5.1 million in the prior year, driven primarily by a higher debt balance due to the use of funds and acquisitions of music catalogs and writer signings, as well as an increase in effective interest rates. Net loss for the first quarter was approximately $600,000 compared to a net loss of $500,000 in the first quarter of fiscal 2025. The decrease was impacted by the higher loss on the fair value of our interest rate hedges. This resulted in a diluted loss per share for the quarter of $0.01, the same as the prior year quarter. Operator00:10:22Our weighted average diluted outstanding share count during the quarter was approximately 65 million. Now let's dive into our segment review for the quarter. Music publishing had a 4% increase in revenue versus the prior year quarter at $24.9 million, largely due to an increase in synchronization revenue driven by the timing of licenses and an increase in other publishing revenue, primarily attributable to acquired stage rights. These increases were partially offset by a decrease in performance revenue resulting from the timing of hit songs and a decrease in digital revenue due to the timing of receipts from various revenue sources. Moving to our recorded music segment, we had an 8% increase to $10.4 million in revenue compared to our Q1 last year. This was driven by an increase in digital revenue due to the continued growth at music streaming services and the acquisition of catalogs. Operator00:11:19The increase in digital revenue was partially offset by a decrease in synchronization revenue driven by the timing of licenses, as well as a decrease in physical revenue. Turning to our balance sheet, as of June 30, 2025, cash provided by operating activities was $6 million, which was a decrease of $2.5 million compared to the year-ago quarter, primarily due to the timing of royalty payments. We had total available liquidity of $173 million, consisting of $14.8 million of cash on hand and $158.2 million available under our revolver. We ended the quarter with total debt of $387.4 million, which was net of $4.5 million of deferred financing costs, and thus we maintained $372.5 million of net debt. That compares to net debt of $366.7 million as of March 31, 2025. Operator00:12:15I would also like to note that in early June, we amended our senior credit facility to increase our revolving credit commitment from $450 million to $550 million, giving us greater flexibility to execute on transactions as the opportunities arise. Consistent with our prior first quarter earnings calls, we are maintaining our recently announced full-year guidance ranges. To remind everyone, our revenue guidance range stands at $164 million to $169 million, and at the midpoint implies growth of 5% versus fiscal 2025. We similarly reiterate our adjusted EBITDA guidance range of $68 million to $72 million, which signals growth of 7% over the prior year at the midpoint of that range. We continually review our forecast for the full year and look forward to providing an update during our Q2 earnings call. Operator00:13:12As we look forward to the rest of fiscal 2026, we will remain disciplined in our capital deployment strategy and value enhancement efforts that will enable us to achieve our forecasted revenue and adjusted EBITDA guidance for the full year. With that, I'll now pass the call back to Golnar. Speaker 100:13:30Thank you, Jim. The investments made in just the first quarter are a strong start to what will be an important year ahead for Reservoir Media. From our entry into a new vertical with Lightroom to the addition of Fool’s Gold and the re-signing of our valued clients, we have a well-earned reputation as an innovative music company that believes in the value and importance of our creators’ work. Our financial performance in the first fiscal quarter is the best indicator that our strategy is working, and with a deal pipeline of over $1 billion, we are excited about what is to come. With that, we will now open the line for questions. Speaker 300:14:10Thank you. We will now be conducting a question and answer session. If you would like to ask a question, please press *1 on your telephone keypad. A confirmation tone will indicate your line is in the question queue. You may press *2 if you would like to remove your question from the queue. For participants using speaker equipment, it may be necessary to pick up your handset before pressing the * key. Our first question comes from Griffin Boss with B. Riley Securities. Speaker 300:14:44Hi, good morning. Thanks for taking my question. First, I want to dig into the Lightroom investment. Is there any more color you could provide about the size of this investment or your stake in that venture? Also, related, did you go into this with any certain IP in mind that you knew you would want to monetize through these immersive experiences, or is it more so opportunistic to enter this industry? Speaker 200:15:11Good morning, Griffin. I'll answer the second part of your question first. I think there are a number of targets that we would like to collaborate with Lightroom on, around which we can develop content that our existing clients or catalogs that are represented here. At the same time, what you said is accurate in that this is an opportunistic endeavor such that we foresee future content development based on future M&A and deals that we do there. That's how we're approaching that, and I will let Jim answer the first part of your question. Operator00:15:49You'll see a little bit more detail on that, I suppose, in the 10-Q when it comes out later today. This is an investment that puts us at a single-digit equity stake in the business. We are not a majority owner of the business, but it's a business that, as Golnar said, we believe is very synergistic to our asset base, and we look forward to working with them. Operator00:16:17Okay, got it. Thank you. Switching gears to the digital revenue, I just want to confirm, I know, Jim, you discussed that was primarily due to timing of receipts. I just want to confirm that that wasn't a result of any particular weakness at certain DSPs or anything like that. Operator00:16:35No, not at all. It's not something that's indicative of a trend that we see going forward. This is really the result of certain DSPs that from time to time make adjustments. Maybe that is a benefit in one quarter, in this case, benefit, let's say, in the prior year quarter, and it doesn't repeat again in this quarter. These things aren't always routine in terms of every quarter, every year, you get the same types of adjustments or cleanups. That's really one of the things that's impacting it in this quarter. It's nothing that we see as being a trend that's concerning for us. Operator00:17:14Okay, understood. That makes sense. Just last for me, I'll hand it over. For the administrative expenses, I understand that those were higher given the higher management revenue. In terms of the inflationary pressures there, should we think of those as kind of structurally higher going forward given those inflationary pressures? Operator00:17:37I think that largely the inflationary pressures we're talking about are normal compensation and the increases that folks get annually, as well as our vendors and different technology that we use and maybe inflationary pressures on those costs. The reality is that the bulk of that increase is driven by the increased management revenue. I think that on our largest segment, being music publishing, our increases in administration expenses were about 5%. We're doing what we can to control those costs. Operator00:18:18Okay, great. Thanks for taking my questions. Good to see the progress. Speaker 200:18:22Thank you. Operator00:18:23Thanks. Speaker 300:18:27Our next question comes from Richard Baldry with ROTH Capital Partners. Speaker 300:18:33Thanks. Your blended gross margins were near sort of an all-time record in what's seasonally typically a slow quarter. Can you talk about any underlying trends there, whether that's mix-driven or the different international geographies you're moving into, how sustainable those trends are, extensible that is? Thanks. Operator00:18:52Yeah, there's a little bit there. You see lower physical revenue on the recorded side. That's a pretty high-cost revenue stream for us. As that's a little lower, we have a little bit of margin benefit there. Beyond that, it really comes down to the mix of assets that's driving the revenue. In this quarter, we had a little bit of improvement, I think, in both segments. The recorded part really, as I touched on with the physical revenue coming down as a percentage of the total. On the publishing side, it really comes down to the mix of catalogs that are driving that revenue. Operator00:19:39I think a lot of the revenue graph in the first quarter tends to be sort of discretionary on the part of your end customers. They're sort of estimating where maybe second and fourth quarters are really audited. Do you think over the course of the year, does the digital growth sort of mirror the rest of the business? We probably see sort of, call it, catch-up in the second quarter when they actually have to audit and come up with pretty hard and fast numbers as opposed to the looser numbers in the first quarter. Operator00:20:09I do think that in the first quarter here, certainly on the publishing side, this is not a trend. The fact that digital was down a couple of points there, we do expect that to move back to growth as we move through the rest of the year. Beyond that, I would say that there's a lot of good news happening. You saw the Spotify news yesterday with price increases in a number of markets, and that will certainly benefit us on the digital side on both segments of the business as we move through the rest of this year. Operator00:20:53Maybe last for me would be, you know, looking into the M&A pipeline, are there any notable changes there, whether that's geographic, genres, whatever, where you think you'll be headed or between publishing or recording sides of the business? Thanks. Speaker 200:21:09It's an even split right now. The volume is still there, so just having that robust volume is a good indicator for us as far as what the opportunities are before us between now and the end of the fiscal year. I think looking backwards, we've been a little bit more focused on the recorded side, but that has been less a strategic focus and more a result of the best deals that we are presented with, and we have to be opportunistic about that. Other than that, I would say that the pipeline is strong, the mix is even, and we are going after the transactions that provide us with the highest returns. Speaker 200:22:00Maybe last again for me, remind us, you know, how many of your deals really sort of are organically sourced from the relationship side of the table versus how much you find yourself in sort of like open market bidding type situations? Speaker 200:22:16I think I'd add another category in that I'd say organically sourced, off-processes, and perhaps off-market. Off-market doesn't necessarily have to be organic, but certainly places us out of an auction process. I don't have the exact figures in front of me, but I would say that our more substantial deals are a result of off-market relationships. A very small portion of the transactions that we complete are through auction processes. We try to stay away from those. The organic transactions may be higher in number, but not necessarily translating into higher in dollar amount. That's just because there are a lot of organic deals that we do with people who are presently represented on the roster. If I were to sort of split these up and assign numbers, I'd say the majority share is definitely off-market on a value basis. Speaker 200:23:29Great. Thanks. Speaker 200:23:31Thank you, Rich. Speaker 300:23:35This now concludes our question and answer session. I would like to turn the floor back over to Golnar Khosrowshahi for closing comments. Speaker 100:23:43Thank you, Operator. Fiscal year 2026 is progressing in line with our expectations, putting us firmly on track to achieve our full-year guidance. I'm optimistic about the coming quarters, and I'm confident that the best is still to come for our organization. We appreciate your support and interest in Reservoir Media, and I look forward to sharing our second fiscal quarter results with you this fall. Thank you very much. Speaker 300:24:08Ladies and gentlemen, thank you for your participation. This does conclude today's teleconference. You may disconnect your lines and have a wonderful day.Read morePowered by Earnings DocumentsPress Release(8-K)Quarterly report(10-Q) Reservoir Media Earnings HeadlinesContrasting Spotify Technology (NYSE:SPOT) and Reservoir Media (NASDAQ:RSVR)September 28, 2026 | americanbankingnews.comSpotify Technology (NYSE:SPOT) versus Reservoir Media (NASDAQ:RSVR) Head-To-Head ContrastSeptember 24, 2026 | americanbankingnews.comLarry's Three-Step Strategy Revealed at The Dollar Trap SummitLarry unveiled a three-step strategy at last night's Dollar Trap Summit, with no options, futures, or cryptocurrencies involved. The approach takes about 10 minutes to get started, and you don't need to be an accredited investor to follow along. | Brownstone Research (Ad)Reservoir Media’s (RSVR) Recorded Music Arm Is Suddenly RoaringSeptember 8, 2026 | finance.yahoo.comReservoir Media Stockholders Approve Directors and Governance MeasuresAugust 11, 2026 | tipranks.comReservoir Media, Inc. Q1 2027 Earnings Call SummaryAugust 6, 2026 | finance.yahoo.comSee More Reservoir Media Headlines Get Earnings Announcements in your inboxWant to stay updated on the latest earnings announcements and upcoming reports for companies like Reservoir Media? Sign up for Earnings360's daily newsletter to receive timely earnings updates on Reservoir Media and other key companies, straight to your email. Email Address About Reservoir MediaReservoir Media (NASDAQ:RSVR) is a global independent music company that owns, administers and develops music rights. The company’s catalog includes copyrights in musical compositions and sound recordings spanning multiple genres, eras and territories. Reservoir’s business activities include music publishing, recorded music, rights administration, and artist and songwriter services. It licenses compositions and recordings for uses such as streaming, television, film, advertising and other media, while also supporting the creative and commercial development of songwriters, artists and producers. Founded in 2007, Reservoir has expanded through catalog acquisitions and relationships with artists, songwriters, producers and rights holders. The company operates internationally, with a portfolio and business activities serving markets in North America and other regions around the world. Reservoir is led by Chief Executive Officer Golnar Khosrowshahi.View Reservoir Media ProfileRead more More Earnings Resources from MarketBeat Earnings Tools Today's Earnings Tomorrow's Earnings Next Week's Earnings Upcoming Earnings Calls Earnings Newsletter Earnings Call Transcripts Earnings Beats & Misses Corporate Guidance Earnings Screener Latest Articles MarketBeat Week in Review – 09/28 - 10/02Time to Nibble on MCD Stock After it Enters Oversold Territory?McCormick Stock Trades Cheap, Offers Dividend Growth and Unilever Deal UpsideMicron’s Earnings Reveal Why the AI Memory Boom May Last LongerAnthropic's IPO Could Put Amazon's and Alphabet's Paper Profits to the TestBoeing’s Fighter Victory Opens the Door to Decades of Defense RevenueCorning and AT&T's $3 Billion Fiber Deal Reveals Where AI Spending Goes Next Upcoming Earnings PepsiCo (10/8/2026)Delta Air Lines (10/9/2026)America Movil (10/13/2026)Citigroup (10/13/2026)The Goldman Sachs Group (10/13/2026)JPMorgan Chase & Co. 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There are 5 speakers on the call. Speaker 300:00:00Greetings and welcome to the Reservoir Media Q1 Fiscal Year 2026 earnings conference call. At this time, all participants are in a listen-only mode. A question and answer session will follow the formal presentation. If anyone should require operator assistance during the conference, please press *0 on your telephone keypad. Please note this conference is being recorded. I would now like to turn the conference over to your host, Jackie Marcus. Please go ahead. Speaker 100:00:28Thank you, Operator. Good morning, everyone, and thank you for participating in today's earnings conference call. Reservoir Media issued a press release with results for its first quarter of fiscal year 2026 ended June 30, 2025, earlier this morning. If you did not receive a copy of our earnings press release, you may access it from the Investor Relations section of our website at investors.reservoir-media.com. With me on today's call are Golnar Khosrowshahi, Founder and Chief Executive Officer, and Jim Heindlmeyer, Chief Financial Officer. As a reminder, this call is being simultaneously webcast and will be recorded and archived on the Investor Relations section of our website. Speaker 100:01:11Before I turn the call over to Golnar and Jim, I'd like to note that today's discussion will contain forward-looking statements that reflect the current views of Reservoir Media about our business, financial performance, and future events, and as such, involve certain risks and uncertainties. Our expectations, beliefs, and projections are expressed in good faith, and we believe there is a reasonable basis for them. However, there can be no assurance that our expectations, beliefs, and projections will result or be achieved. Please refer to our earnings press release and our filings with the Securities and Exchange Commission for more information on the specific risks, uncertainties, and other factors that could cause our actual results to differ materially from our expectations, beliefs, and projections described in today's discussion. Speaker 100:02:03Any forward-looking statements that we make on this call or in our earnings press release are as of today, and we undertake no obligation to update these statements as a result of new information or future events, except to the extent required by applicable law. In addition to financial results presented in accordance with generally accepted accounting principles, we plan to present during this call certain financial measures that do not conform to U.S. GAAP if we believe they are useful to investors or if we believe they will help investors to better understand our performance or business trends. Reconciliations of these non-GAAP financial measures to the nearest comparable GAAP measures are included in our earnings press release. I would now like to turn the call over to Golnar. Speaker 300:02:50Thank you, Jackie. Good morning, everyone, and thank you for joining us today. Our financial results in the first fiscal quarter put us in line with our full-year projections, with top-line growth of 8%, 5% coming organically. We continue to see healthy demand for our portfolio across music publishing and recorded music. Fiscal 2026 is shaping up to be an important year for Reservoir Media. We are actively advancing a robust pipeline of acquisition opportunities and continuing to diversify our portfolio in ways that enhance long-term value. This positions us well to execute on our strategic growth objectives. Just last month, we announced an investment in London-based entertainment company Lightroom, which develops and exhibits IP-led immersive entertainment experiences. Since its flagship London venue opened in February of 2023, Lightroom has stood out as a premier provider of immersive entertainment, combining exceptional storytelling with a scalable, IP-driven product model. Speaker 300:04:06Lightroom's programming to date has featured an impressive slate of A-list collaborators, including Tom Hanks, Coldplay, David Hockney, Anna Wintour, and Hans Zimmer. The global immersive entertainment industry as a whole was valued at $133 billion in 2024 and is expected to reach $473 billion by 2030. This partnership diversifies Reservoir Media's investment portfolio into the high-growth immersive entertainment vertical and unlocks additional value from our IP's use as the foundation for future shows. Immersive experiences built around music are particularly attractive to the growing superfan market of highly engaged music fans, which has risen to 20% of paid streaming subscribers in the U.S. as of the end of 2024, according to Luminate. We are pleased to be supporting Lightroom's efforts and look forward to helping bring future shows to life. Speaker 300:05:15On the recorded music side of the business, we furthered our commitment to expanding this segment with the addition of independent label Fool’s Gold Records. Reservoir Media acquired the master rights to the catalogs of five of the label's artists and will also exclusively market and distribute all other existing and future recordings on Fool’s Gold, including sub-label A-Trak and Friends. Fool’s Gold earned its reputation as a tastemaker indie label across dance, electronic, and hip-hop, with hits by Kid Cudi, Danny Brown, and A-Trak. The deal includes A-Trak's era-defining remix of the Yeah Yeah Yeahs' "Heads Will Roll" and his duo Duck Sauce's viral Grammy-nominated single "Barbra Streisand." This acquisition follows a recent addition of UK-based label New State, as well as a new partnership with Nashville-based label Off-Road Records. Together, these moves reflect our focused strategy to build and strengthen Reservoir's recorded music platform with commercially relevant assets. Speaker 300:06:23These labels are also all notably independent, and through these deals, we continue to champion the value and influence of indie music on a global scale. We are solidly scaling this segment of our business, and we believe it represents a meaningful opportunity for long-term value creation. Sustained client retention also continues to be a key driver of our long-term growth and operational stability. A few weeks ago, we announced the extension of our publishing deal with Grammy Award-winning songwriter-producer Chris Riddick-Tynes, who has been a part of the Reservoir family since 2020. Speaker 300:06:59Chris co-wrote and co-produced SZA's single "Snooze," which took home the 2024 Grammy for Best R&B Song and contributed to the success of her six-time platinum-selling and number one album "SOS." Earlier this spring, the album broke the record for most total weeks at number one on Billboard's Top R&B/Hip-Hop Albums chart, beating out the long-standing record holder Michael Jackson's "Thriller." More recently, Chris co-wrote Kehlani's hit single "Folded," which debuted at number seven on Billboard's Hot R&B Songs and marks the biggest debut of her career to date. We also recently extended our agreement with music icon Joni Mitchell. Reservoir entered into an administration agreement with Joni in 2021, and it has been an incredible few years, witnessing new generations of fans discovering Joni's magic through her triumphant return to the stage. We have been honored to support her during this time. Speaker 300:08:04Being in business with creators whose music is culturally impactful continues to be a hugely rewarding aspect of our business, and we look forward to our ongoing partnerships with them. I will now turn the call over to Jim to discuss our first fiscal quarter financial results in greater detail. Jim? Operator00:08:24Thank you, Golnar, and good morning, everyone. Our first fiscal quarter results met our internal expectations and demonstrate both the strength of our existing portfolio and our success with our acquisitions of new assets. Revenue for the first fiscal quarter was $37.2 million, a 5% year-over-year improvement on an organic basis, and an 8% increase when including acquisitions. This was led by the 8% growth in our recorded music segment and the 4% increase we had in music publishing. Turning to our operating expenses, the total cost of revenue decreased 1% compared to the prior year quarter, while our administration expenses and amortization and depreciation costs grew 16% and 15% respectively versus the prior year. Looking at operating performance for the first quarter, EBITDA was $12.8 million, an increase of 12% year-over-year, and adjusted EBITDA was up 10% to $13.9 million compared to our Q1 in fiscal 2025. Operator00:09:28The increases in EBITDA and adjusted EBITDA were due to higher revenues and stronger gross margins, partially offset by an increase in administration expenses impacted by inflationary pressures and higher expenses associated with increased management revenue. Interest expense was $6.3 million for the quarter versus $5.1 million in the prior year, driven primarily by a higher debt balance due to the use of funds and acquisitions of music catalogs and writer signings, as well as an increase in effective interest rates. Net loss for the first quarter was approximately $600,000 compared to a net loss of $500,000 in the first quarter of fiscal 2025. The decrease was impacted by the higher loss on the fair value of our interest rate hedges. This resulted in a diluted loss per share for the quarter of $0.01, the same as the prior year quarter. Operator00:10:22Our weighted average diluted outstanding share count during the quarter was approximately 65 million. Now let's dive into our segment review for the quarter. Music publishing had a 4% increase in revenue versus the prior year quarter at $24.9 million, largely due to an increase in synchronization revenue driven by the timing of licenses and an increase in other publishing revenue, primarily attributable to acquired stage rights. These increases were partially offset by a decrease in performance revenue resulting from the timing of hit songs and a decrease in digital revenue due to the timing of receipts from various revenue sources. Moving to our recorded music segment, we had an 8% increase to $10.4 million in revenue compared to our Q1 last year. This was driven by an increase in digital revenue due to the continued growth at music streaming services and the acquisition of catalogs. Operator00:11:19The increase in digital revenue was partially offset by a decrease in synchronization revenue driven by the timing of licenses, as well as a decrease in physical revenue. Turning to our balance sheet, as of June 30, 2025, cash provided by operating activities was $6 million, which was a decrease of $2.5 million compared to the year-ago quarter, primarily due to the timing of royalty payments. We had total available liquidity of $173 million, consisting of $14.8 million of cash on hand and $158.2 million available under our revolver. We ended the quarter with total debt of $387.4 million, which was net of $4.5 million of deferred financing costs, and thus we maintained $372.5 million of net debt. That compares to net debt of $366.7 million as of March 31, 2025. Operator00:12:15I would also like to note that in early June, we amended our senior credit facility to increase our revolving credit commitment from $450 million to $550 million, giving us greater flexibility to execute on transactions as the opportunities arise. Consistent with our prior first quarter earnings calls, we are maintaining our recently announced full-year guidance ranges. To remind everyone, our revenue guidance range stands at $164 million to $169 million, and at the midpoint implies growth of 5% versus fiscal 2025. We similarly reiterate our adjusted EBITDA guidance range of $68 million to $72 million, which signals growth of 7% over the prior year at the midpoint of that range. We continually review our forecast for the full year and look forward to providing an update during our Q2 earnings call. Operator00:13:12As we look forward to the rest of fiscal 2026, we will remain disciplined in our capital deployment strategy and value enhancement efforts that will enable us to achieve our forecasted revenue and adjusted EBITDA guidance for the full year. With that, I'll now pass the call back to Golnar. Speaker 100:13:30Thank you, Jim. The investments made in just the first quarter are a strong start to what will be an important year ahead for Reservoir Media. From our entry into a new vertical with Lightroom to the addition of Fool’s Gold and the re-signing of our valued clients, we have a well-earned reputation as an innovative music company that believes in the value and importance of our creators’ work. Our financial performance in the first fiscal quarter is the best indicator that our strategy is working, and with a deal pipeline of over $1 billion, we are excited about what is to come. With that, we will now open the line for questions. Speaker 300:14:10Thank you. We will now be conducting a question and answer session. If you would like to ask a question, please press *1 on your telephone keypad. A confirmation tone will indicate your line is in the question queue. You may press *2 if you would like to remove your question from the queue. For participants using speaker equipment, it may be necessary to pick up your handset before pressing the * key. Our first question comes from Griffin Boss with B. Riley Securities. Speaker 300:14:44Hi, good morning. Thanks for taking my question. First, I want to dig into the Lightroom investment. Is there any more color you could provide about the size of this investment or your stake in that venture? Also, related, did you go into this with any certain IP in mind that you knew you would want to monetize through these immersive experiences, or is it more so opportunistic to enter this industry? Speaker 200:15:11Good morning, Griffin. I'll answer the second part of your question first. I think there are a number of targets that we would like to collaborate with Lightroom on, around which we can develop content that our existing clients or catalogs that are represented here. At the same time, what you said is accurate in that this is an opportunistic endeavor such that we foresee future content development based on future M&A and deals that we do there. That's how we're approaching that, and I will let Jim answer the first part of your question. Operator00:15:49You'll see a little bit more detail on that, I suppose, in the 10-Q when it comes out later today. This is an investment that puts us at a single-digit equity stake in the business. We are not a majority owner of the business, but it's a business that, as Golnar said, we believe is very synergistic to our asset base, and we look forward to working with them. Operator00:16:17Okay, got it. Thank you. Switching gears to the digital revenue, I just want to confirm, I know, Jim, you discussed that was primarily due to timing of receipts. I just want to confirm that that wasn't a result of any particular weakness at certain DSPs or anything like that. Operator00:16:35No, not at all. It's not something that's indicative of a trend that we see going forward. This is really the result of certain DSPs that from time to time make adjustments. Maybe that is a benefit in one quarter, in this case, benefit, let's say, in the prior year quarter, and it doesn't repeat again in this quarter. These things aren't always routine in terms of every quarter, every year, you get the same types of adjustments or cleanups. That's really one of the things that's impacting it in this quarter. It's nothing that we see as being a trend that's concerning for us. Operator00:17:14Okay, understood. That makes sense. Just last for me, I'll hand it over. For the administrative expenses, I understand that those were higher given the higher management revenue. In terms of the inflationary pressures there, should we think of those as kind of structurally higher going forward given those inflationary pressures? Operator00:17:37I think that largely the inflationary pressures we're talking about are normal compensation and the increases that folks get annually, as well as our vendors and different technology that we use and maybe inflationary pressures on those costs. The reality is that the bulk of that increase is driven by the increased management revenue. I think that on our largest segment, being music publishing, our increases in administration expenses were about 5%. We're doing what we can to control those costs. Operator00:18:18Okay, great. Thanks for taking my questions. Good to see the progress. Speaker 200:18:22Thank you. Operator00:18:23Thanks. Speaker 300:18:27Our next question comes from Richard Baldry with ROTH Capital Partners. Speaker 300:18:33Thanks. Your blended gross margins were near sort of an all-time record in what's seasonally typically a slow quarter. Can you talk about any underlying trends there, whether that's mix-driven or the different international geographies you're moving into, how sustainable those trends are, extensible that is? Thanks. Operator00:18:52Yeah, there's a little bit there. You see lower physical revenue on the recorded side. That's a pretty high-cost revenue stream for us. As that's a little lower, we have a little bit of margin benefit there. Beyond that, it really comes down to the mix of assets that's driving the revenue. In this quarter, we had a little bit of improvement, I think, in both segments. The recorded part really, as I touched on with the physical revenue coming down as a percentage of the total. On the publishing side, it really comes down to the mix of catalogs that are driving that revenue. Operator00:19:39I think a lot of the revenue graph in the first quarter tends to be sort of discretionary on the part of your end customers. They're sort of estimating where maybe second and fourth quarters are really audited. Do you think over the course of the year, does the digital growth sort of mirror the rest of the business? We probably see sort of, call it, catch-up in the second quarter when they actually have to audit and come up with pretty hard and fast numbers as opposed to the looser numbers in the first quarter. Operator00:20:09I do think that in the first quarter here, certainly on the publishing side, this is not a trend. The fact that digital was down a couple of points there, we do expect that to move back to growth as we move through the rest of the year. Beyond that, I would say that there's a lot of good news happening. You saw the Spotify news yesterday with price increases in a number of markets, and that will certainly benefit us on the digital side on both segments of the business as we move through the rest of this year. Operator00:20:53Maybe last for me would be, you know, looking into the M&A pipeline, are there any notable changes there, whether that's geographic, genres, whatever, where you think you'll be headed or between publishing or recording sides of the business? Thanks. Speaker 200:21:09It's an even split right now. The volume is still there, so just having that robust volume is a good indicator for us as far as what the opportunities are before us between now and the end of the fiscal year. I think looking backwards, we've been a little bit more focused on the recorded side, but that has been less a strategic focus and more a result of the best deals that we are presented with, and we have to be opportunistic about that. Other than that, I would say that the pipeline is strong, the mix is even, and we are going after the transactions that provide us with the highest returns. Speaker 200:22:00Maybe last again for me, remind us, you know, how many of your deals really sort of are organically sourced from the relationship side of the table versus how much you find yourself in sort of like open market bidding type situations? Speaker 200:22:16I think I'd add another category in that I'd say organically sourced, off-processes, and perhaps off-market. Off-market doesn't necessarily have to be organic, but certainly places us out of an auction process. I don't have the exact figures in front of me, but I would say that our more substantial deals are a result of off-market relationships. A very small portion of the transactions that we complete are through auction processes. We try to stay away from those. The organic transactions may be higher in number, but not necessarily translating into higher in dollar amount. That's just because there are a lot of organic deals that we do with people who are presently represented on the roster. If I were to sort of split these up and assign numbers, I'd say the majority share is definitely off-market on a value basis. Speaker 200:23:29Great. Thanks. Speaker 200:23:31Thank you, Rich. Speaker 300:23:35This now concludes our question and answer session. I would like to turn the floor back over to Golnar Khosrowshahi for closing comments. Speaker 100:23:43Thank you, Operator. Fiscal year 2026 is progressing in line with our expectations, putting us firmly on track to achieve our full-year guidance. I'm optimistic about the coming quarters, and I'm confident that the best is still to come for our organization. We appreciate your support and interest in Reservoir Media, and I look forward to sharing our second fiscal quarter results with you this fall. Thank you very much. Speaker 300:24:08Ladies and gentlemen, thank you for your participation. This does conclude today's teleconference. You may disconnect your lines and have a wonderful day.Read morePowered by